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Although an operatic number had
held the stage earlier, the audience showed
its approval of Toye's classic selections
unmistakably.
The
double-voiced singer scored a large-sized
hit. The basis of her appeal is the real
musical excellence of her singing rather
than any freak vocal display. When she
sings in her tenor voice the illusion of
masculine timber is absolute, and her soprano
tones are quite as positively feminine.
Source:
Variety 14:12 (05/29/1909)