Location:
Theater:
Date:
Type:
Adelaide Bell closed, and despite the unjustifiable time she gives her pianist to make two simple changes and regain her breath, she held the audience remarkably well. She is far above the average closing single dancing act and has beauty of both face and figure. Her two big stunts, the back shoulder kicks with either foot and ankle “dislocations” would go much bigger if she played them up a little more impressively instead of merely doing them as if they were an incident in every soloist’s dancing routine.
Source:
Variety Magazine, LVIII: 8 October 1920