Hugh Herbert and Co.

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27 Mins.; Five (Office Interior – Special Set). Joseph Hart presents Hugh Herbert in this sketch of old fashioned and modernized Hebrews written by Geo. V. Hobart and Mr. Herbert. That Mr. Herbert wrote and inserted most of the typical “Yiddish” lines and actions is as easily believed as it is seen that he wholly holds up the piece, in his character of retired merchant, who left his underwear business to two growing sons. In the father’s absence for three months, the boys, after having incorporated the business, become involved. The “old man” returns in time to save from a receivership, by an immediate advance of $50,000 and a promised loan of $20,000 more. The sons (the parts are played by Thomas Everett and Arthur Thalasso) are the modernized American Jew boys, sharply contrasted in appearance, ways and language with their orthodox Hebrew father and his lifetime companion, Speagle (Gustave Hartzheim). The sons are too loud, too noisy in fact, for their roles, but that may have been a matter of rehearsal. The story is not over strong, has no sympathetic strings, and is made blustery through the introduction of two “women” (Adelaide Folger and Carol Parson). These girls call on the sons at their place of business, to ay they have sent some goods C.O.D., I unless paid for on delivery, “everything is off” between the two couples. It is while the young women are at the office the father returns. The presence of the young women begets horseplay that distorts such of the story as then exists, and the entire portion of the sketch that this section discloses could be removed, also removing at the same time the “women” from the piece. Suggestion regarding them would be as effective, if this phase must be dragged in. The elimination would reduce the running time and make the action swifter. The earlier part of the playlet drags. Mr. Herbert is doing a fine bit of playing as the father. Audiences will like him, Hebrews among them, even if the latter will not particularly relish the act itself, as at present constated. For one thing, it gives the wrong impression of the American born Hebrew. But as an act, Mr. Herbert will make good in it, and will make it good.
Source:
Variety, Volume XXXVI, no.11, November 14, 1914