That Severin with
expression and gesture, and without
a spoken word for forty-nine minutes,
can hold intensely an intelligent
audience to a tale ofttimes thrilling, even
in its muteness, must certainly be the
greatest tribute to be paid the man.
It is
called “The Gibson Girl Review,” and is
pictorially pretty while musically pleasing,
with seven good-looking young women
to interpret as many types of “The Gibson
Girl.”
In “Evangeline,” a girl is shown
standing with her hand on the head of
a cow. Monday night the cow did not care
much for the pose, and started to move
about, finally finishing up by butting the
girl out of the frame. It should be kept
in the act, receiving a big laugh.
Posing act.
