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They dress in chevalier costume, the woman in swaggering dress of the romantic period, which becomes her shape- ly figure to perfection. They use the prison scene from “Faust” without change of costume, the incongruity of which per- formance was lost in the excellent rendition.
Miss Raymond is a lyric singer of exceptional attainment, and with unusual brilliancy, carries the act to success despite the ordinary merit of her support. Both men sing well enough, but are overshadowed by the woman's voice.
There is no talking, the trio devoting themselves to the music entirely.
Fredricka Raymond, soprano; E. Ormont, baritone, and F. Freeman, tenor,make up one of the best operatic singing trios that has made its initial bow in the city this long time
Source:
Variety 8:5 (08/31/1907)