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Singing and accompaniment.
Next to closing seemed a soft spot tor Lillian Fitzgerald, but the singing single never quite grasped it. Maybe it was the too flippant manner, only, of course, in point of characterization, or possibly the matter. Perhaps Miss Fitzgerald assumed too much and the absence of deferment may have militated against her, but lt was quite palpable she did not impress unduly. Strangely enough, her accompanist, Clarence Senna, was more highly esteemed, doing extremely well In a solo that contained an admixture of jazz and classical strains.
Source:
Variety, 54:7 (04/11/1919)