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Singing, travesty songs, and impersonations.
Herbert Clifton got a lot out of his travesties. He is a clever fellow and a very good impersonator, but he plays more for laughs than recognition as a female mimic and he gets them, too. He sings enough to show what he can do with the male soprano stuff, with always a comedy twist nicely placed.
Source:
Variety, 54:6 (04/04/1919)