Herbert Clifford

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"Molly Dear, It's You I'm After" "Araby" "Good Bye"
He was easily one of the evening's biggest hits. "The house enthused equally over his voice and dress".
He aims to make every piece a production in its own right, and while his artistry is commendable, his falsetto voice doesn't carry the pieces.
Source:
Variety, vol. 41: 7. 14 January, 1916