Harry Smirl and Rose Kessner

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17 min. full stage—In an acrobatic and dancing specialty, something on the lines of O’Brian and Havel’s work. The tumbling of the man is the best of the kind seen on this stage in some time, but the act is somewhat handicapped by the homeliness and gawkiness of the woman. Smirl’s tumbling carried it out in good shape.
Source:
University of Iowa, Keith-Albee Vaudeville Collection, Manager Reports, 2 September 1902-3 September 1903