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Singing.
"Way Down in San Juan," "Barney Carney," "Sleep Baby Sleep," and "Home-sickness Blues."
No one seemed to know just where Gertrude Newman has been developing her talents as a single. Maybe she trained in a cabaret, some of her actions lending that impression. Nevertheless, Miss Newman looked good enough now to predict her attaining a regular standing in vaudeville. In proper hands she should quickly develop for she has individuality and the ability to put over songs. Her black hair is slicked back and very becoming. Miss Newman opened with "Way Down in San Juan," written, she said by "two Americans and a 'shine.'" After doffing an unbecoming cloak she disclosed a frock of white silk which was better, but not just the right thing. "Barney Carney" was her second number and her third was a bit of a surprise, the lullaby "Sleep Baby Sleep." Miss Newman has what might be termed a "raggy" voice, one fitted for syncopation. In the lullaby number, however, she uncovered a clear voice reaching a high note for the finish. "Home-sickness Blues" followed and went over strong enough to demand an encore, which as a comic prohibition lyric, but not well handled. Miss Newman has a peculiar way of throwing back her shoulders in singing rag numbers. It isn't exactly graceful but probably natural. Correction in dress and coaching is all that the girl needs.
Source:
Variety, 53:12 (02/14/1919)