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He enters with a slow waddle tat would indicate te presence under his robes of an immense quantity of “props,” even were tey not plainly visible through a side slit in the skirt. He even has the audacity to inflict a stage wait upon his audience while he retires behind a screen to again load up.
Ah Ling Soo has a very poor imitation of is former employer, Ching Ling Foo. His work is transparent as glass and his working method coarse in the extreme.
Source:
Variety 2:3 (02/16/1907)