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Singing and dialogue.
"Sing Sing."
Mayo and Lynn made an ideal two-act, Mayo having a really extraordinary voice of a type rarely heard on a vaudeville stage, and which he uses far too little in a none too clever conversational act. They close very strong and in an unexpected curtain call they got away neatly with the time-honored "Sing Sing" lockstep exchange of fragmentary conversation.
Source:
Variety, 54:6 (04/04/1919)