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The Greater Morgan Dancers closed the first part. This dancing presentment eclipses former offerings in point of continuity of story, ensemble, histrionic endeavor, elaborateness of stage detail, technique, climaxes, adherence to realism of the period it portrays, semblance of character, adhesiveness of makeup and the poetry of terspichorean routine; in fact for vaudeville it seems to be better than anything previously attempted by Marion Morgan. The dancing as a whole may not be as artistic and as elaborate and varied, but there is ample manifestation of the art to satisfy the most exacting.
Source:
Variety, 53:12 (02/14/1919)