Amoros Sisters

21 min. Special. Garden, full stage. Songs, dances, acrobatics and physical culture demonstrations. A big hit. This act is exceptionally well staged and dressed and entirely different from any act we have ever played.

Howard & North

24 min. Special drop in One. “Back in Wellington.” as usual a big laughing hit.

Marion Littlefield’s Florentine Singers

23 min. Special, full stage. Close in One. 3 min. One of the best singing acts in vaudeville, taking a number of encores at every performance. I do not think I have ever heard better voices in any vaudeville act that we have ever played.

Wilson & Wilson

16 min. Olio in One. “The Messenger, The Maid and the Violin.” This is a very good comedy act and just a little different from the usual man and woman, singing and talking. I consider them good enough for No. 4 on any bill. They are really a big hit at every performance for us.

Gordon & Marx

12 min. Street in One. German Comedians. I would consider this only a fair act and I would not care to play it very late on our bill.

Hastings & Wilson

9 min. Special Drop. Garden. Comedy acrobats and eccentric dancers. I consider this an exceptionally good act. It has been going very good for us.

Douglas Fairbanks & Co.

Presenting “A Regular Business Man”. Mr. Fairbanks portrays the character of a young lawyer, who on account of his weak business ability—his stenographer and fiancée decide to resign—he begs for time—six months, three months and one month and finally an hour is granted, he gets busy and by good luck makes $50, 000 in an hour. The sketch is full of good bright up-to-date lines, with many laughs, exceptionally clever and well played. Twenty-two minutes, full stage. At every performances the two former Co-Stars Tom Wine and Douglas Fairbanks join hands, their appearance is the cause of spontaneous applause from all parts of the house, which necessitates both making genuine first night curtain speeches. The publicity given the two Co-Stars in all the papers has been tremendous with the result of S.R.O. at every performance.

Thos. A. Wise & Co.

Presenting “A Chip of the Old Block” by Byron Ongley. “The scene of this skit is laid at the Actors Fund Home an Staten Island, with Mr. Wise as an inmate who in his younger days was an old favorite old Bowery Tragedian and was about to become famous as a Tragic Star, grew fat and funny and was forced to take the comedy roles, the public not taking him seriously, ruined his life, he separated from his wide and become a cranky old man. After years travelling with medeocre [sic] companies, comes to the home to spend his declining years. His ray of hope is his son who he has not seen for many years and knows he is a leading man with a repertoire company. The boy notifies his Dad that is coming. The Father is excited, making preparations, but to the old man’s horror, when the boy arrives, he is fat as himself. A scene of comedy and pathos follows. The curtain falls with the old man gazing at the picture of his grand-son who he thinks will surely be a Tragedian.” A splendid sketch, rather novel in construction, with good comedy and a wee bit of pathos. Received a rousing hand on the finish. Twenty-three minutes, full stage.

Marie Fenton

Rather surprised in the manner this young lady was received, considering that she is following a big singing and dancing skit. Her selections are very good, each receiving a good hand, with big applause at the finish. Twelve minutes in one.

Amelia Stone & Armand Kalisz

In the musical romance “Mon Amour”. Well known and went fully as strong as before. Twenty-three minutes full stage.