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This is positively a bad quartette. The two bass voices are all right, but the tenors—“good-night.” A fellow with a falsetto voice has enough excess to carry all through life without endeavouring to turn it into a soprano, as the first tenor did this afternoon. Beginning tonight this act work in 2.
Source:
University of Iowa, Keith-Albee Vaudeville Collection, Manager Reports, 11 December 1911-9 September 1912