Keller Mack and Anne Oakey
“The Padre”
The set is outside of a Spanish Mission, that looks very similar to “the old San Gabriel Mission”.
Brenda Fowler and Co.
The scene is in the newlyweds’ home.
The Crisps
Although it is a fairly large troupe, no more than two dancers are ever on stage at any given time.
Edward Farrell and Co.
It is set in the living room of a large hotel.
“Redheads”
Vanderbilt and Moore
Their first background is black and white. They close with a Russian dance.
Carus and Comer
Florence Tempest and Marion Sunshine
Tempest maintained a male impersonation throughout.