Cycling Brunettes
10 Min. Full Stage. A very good bicycle act that closes this show in good shape.
Lillian Russell
18 Min. Full Stage. Looks beautiful; is in good voice and giving entire satisfaction.
Morrissey & Hanlon
14 Min. in 1—Singing and talking act, tuning piano. Got by—that’s all; hardly strong enough for the Big Time.
The Aherns
9 Min. Full Stage—Feats of strength. Just a fair opening act.
Kinetograph
By far the best composite travel series that we had yet, which is saying a good deal. If this does not hold the crowd in, then nothing in the moving picture line will.
DeKoe Troupe
11 min. F.S. This act makes a splendid closer and could fill any spot on any bill where required. It is on the lines of the Willy Pantzer Troupe but the juvenile acrobat has got all other youthful gymnast beaten a mile. There is good deal of comedy, and the laughter and applause could be heard particularly strong from the children. Brilliant finish.
Clifford & Burke
15 min. in one. Whatever these two comedy veterans would attempt would be sure to be good, but their latest sketch is the best they have given us and went immensely from the advance hand right up to the laughing finish. Carry their own special drop representing the deck of a gunboat and both appear in naval costumes.
Charlotte Parry
23 min. F.S. “Into the Light.” Rather serious for a holiday crowd, at the same time Miss Parry’s character impersonations held the audience closely throughout her interesting drama-story of the court and various witnesses in the murder case which she impersonates successively in the spotlight through a plush curtain. The finish in full stage, showing a bedroom scene, was a surprise and gave Miss Parry a strong hand.
Clark & Bergman
23 min. in one. A very lively and dainty act with bright lines, good selection of songs and clever dances. Caught the holiday crowd very strong this afternoon and won a good close. Compelled to give two encores, both of which get immense applause.
Hugh Emmett
25 min. F.S. One of the best ventrioloquial acts we have ever played. Open with a violin solo, including some barnyard imitations which get applause and then proceed to his ventriloquialism, employing a prop bad boy and a little girl. The various changes of voice are quite remarkable and there is plenty of comedy. Held the attention of the audience throughout and received a strong closing hand.