Presenting “Billy’s Tombstones” supported by Miss Ruth Allen, Miss Ivia Benton, Mr. Pierre Lemay and Mr. Charles Clugston. A great sketch, fairly well presented and scored the usual quota of laughs. 27 minutes, use special set.
Well known. A very neat talking, singing and comedy piano act in one that made good. 15 minutes.
Troupe of fairly well trained terriers, including some small toy dogs with one “Talker”. Some of the tricks are very well executed. The man a fair acrobat. The act lacks finish.
Edwards and his youngsters appear to be very popular here, advance solo heavy, and if the blizzard ever lets up, they will be responsible for a big business.
Same old Morton, some of the same old material and the same old hit as ever. In one.
A good one-act play of the racetrack, comedy and sentiment intermingling in an attractive way that made the offering a success. F.S.
“Freddie.” This is a very merry farce that gave satisfaction in this positions. In one.
Fine acrobats and one of the best trained dogs we have ever known.
18 minutes in one. A good singing and talking act and filled a very hard spot very acceptably.
In the first one-act Harvard play passed by the Dramatic Department of the College as Women of Professional Production. “That Case of the Joneses,” by Florence J. Lewis. This is the story of a suffragette wife who is admitted to the bar, unknown to her husband. Complication arise but all ends happily. There are four people in the cast, all well known on Broadway. Miss Crowe, who has the leading part, was last in “Over Night,” and before that with Sothern and Marlowe. The sketch goes along with snap, holds an interest, and finished big at both shows to-day. This act is being boosted by Harvard people and they claim their influence from all over the country. Just how good the claim is, I cannot say. 18 minutes f.s.
