Jim Quinn
The act was thirteen minutes long.
Jim Quinn is a blind singing monlogist. “The greater part of his talk consists of experiences told in a jocular vein.” He sings three songs.
David Schooler and Louise Dickinson
Schooler plays two solos on the piano and is accompanied by Dickinson. They play four numbers.
Cesare Nesi
The act was twelve minutes long.
Cesare Nesi is billed as the “East Side Caruso” and sings in “a rich, dulcet tenor tone, high in range.” He wears an Italian street peddler’s costume for a few numbers.
Wallace’s Cockatoos
The act was eighteen minutes long.
Wallace performs with his trained cockatoos. The featured “White Eagle” cockatoo is well-trained and performs without incident.
Pankleb Duo
The act was sixteen minutes long on the main stage.
The man wears a false “Vandyke” beard and opens the act with some comedic talk. He talks as he works with the clay while the woman models one piece and prepares the clay for the man throughout the rest of the act.
Harry Houdini
The act was thirty-two minutes long.
Houdini has perfected the “Milk-can escape” in which he places a milk can into a locked chest and submerges it in a tank full of water. Houdini then enters the tank, escapes from his padlocks, and removes the can in sixty-four seconds.
He also does escape work with handcuffs and a straight jacket, which he escapes so fast that the audience does not have sufficient time to realize how difficult it is.
Catherine Chaloner and Co.
The act was twenty-three minutes long on the full stage.
Miss Chaloner uses May Tully’s sketch called “Stop, Look, and Listen.” She does not, however, repeat Tully’s imitations and chooses instead to perform a travesty recitation of “The Other One was Booth.”
She is joined by another girl who plays a “bucolic stage-struck child” well.
Fred Gerner and Co.
Fred Gerner is a high jumper who has introduced three jumping horses and a dog into his act. Three men in the company ride the horses over the jumps. Only one of the horses stumbled and knocked down a barrier, which is surprising since they do not have much space to pick up speed or land.
Agnes Mahr and Co.
The act was seven minutes long on the full stage.
Mahr and a male partner begin with Russian dancing. She then does a “Tommy Atkins” number on her toes. The pair concludes the show dressed as Pierrot and Pierette in a double number.
Von Hampton and Josselyn
This male and female team sings and dances, with “a lot if cross-fire patter” mixed in. The “gags” they do are out of date, but the man delivers them well enough for them to be appreciated by the audience.