Zenita
The act was twelve minutes long.
Zenita is a young female violinist who also dances. She plays both classical and “rag” numbers.
Winkler-Kress Trio
The act was ten minutes long on the full stage.
The acrobats are comprised of one comedian and two straight men. There is nothing unique in their acrobatics or comedy.
Edith Clifford
The act was ten minutes long.
Edith Clifford is a blonde singer with “a pretty dress” from the West. She sings some songs in a “Yiddish” dialect, as well as some in the style of English music.
Mang and Sayder
This hand balancing act was six minutes long on the full stage.
One six-foot-tall man stands onstage while balancing the other equally large man with his hands. The act is run through quickly, with no hesitation.
Belasco, Earle and Earle
The act was fifteen minutes long.
One man plays the cello, one women sings, and the other plays the piano. The opening is full of classical numbers, but they finish with “rags”.
Mintz and Palmer
The act was fourteen minutes long.
This male and female team sings and does “crossfire” talk. They are dressed in good clothes which add an air of class to the performance.
Eli Dawson
The act was eighteen minutes long.
Dawson performs a comedic monologue in blackface without the ever-present “rag” number which usually drags down acts of this type. He runs through his routine quickly.
Musical Stipps
The act was eleven minutes long.
A man and woman perform three numbers on the xylophone. They do not play any “rag” numbers, nor any popular songs.
Jesse J. Lasky Co. with Florence Nash and Joseph Jeffers
This satirical sketch entitled “In 1999” by William C. de Mille was eighteen minutes long.
The sketch is set in the year 1999, where the “current conditions of the home” are reversed, and a woman earns the household wage while her husband stays at home. Florence Nash plays the masculine wife, who “brutally” leaves her husband (played by Joseph Jefferson) alone knitting baby clothes at night.
Edward Winchester
The act was fourteen minutes long.
Winchester is a singing monologist who opens with a number on a snare drum during which he does impressions.