Maude Lambert and Ernest Ball

The act was twenty-one minutes long. Maude Lambert sings and is accompanied by well-known composer Ernest Ball on the piano, who also sings a few songs. Lambert wears three different dresses throughout the performance.

DeAlma and Mae

The act was nine minutes long. A male and female team play operatic numbers and medleys on the banjo.

Mlle. Dazie, Sig. Bonfiglio and Co.

The act was seventeen minutes long on the full stage. Mlle. Dazie does toe dancing and pantomime. In this performance, she was ably assisted by Sig. Bonfiglio and the two were flanked by eight dancing girls.

Alfredo

The act was fifteen minutes long. Alfredo is a violinist who performs with eccentric mannerisms.

Willie Bros.

The act was fourteen minutes long on the full stage. The Willie Bros. are acrobats who have returned to New York after several years away. They do head-to-head balancing and perch work. The two top mounters are nearly the same weight as the understander, which makes their work that much more impressive.

Lina Imperia and Co.

This pantomime entitled “Sesostra” was seventeen minutes long on the full stage. The plot of this show is similar to Guerrero’s “Rose and the Dagger’. The setting is Egyptian. Lina Imperia, farina, and Lucy Gerard are the principals.

Willa Holt Wakefield

This “pianolog” was twenty minutes long. Willa Holt Wakefield sang five new songs as well as several old ones requested by the audience.

DeCoe Trio

The act was six minutes long on the full stage. The men do “Risley” pole juggling. One man balances on the understander’s head using his hand. The understander then walks up and down a flight of stairs three times in “good style.”

Aerial Buds

The act was seven minutes long on the full stage. The Buds perform on the single and double trapeze. They are both young. The routine is particularly notable for its speed.

Sander’s Russian Dancers

The act was seven minutes long on the full stage. Two women and three men start with a song and proceed with standard Russian dancing.