Dooley and Jones

The act was fifteen minutes long. Two young men sing and do comedy “talk”.

Copeland and Walsh

The act was twelve minutes long. This male and female team wear evening clothes, sing and talk. They open with a song in the semi-darkness and then proceed to play a guitar and mandolin duet. While the woman changes, the man tells a few stories. They conclude with another duet.

La France and McNabb

This act performed in blackface is called “Barred From Society.” The setting is a jail. One of the comedians is behind bars and the other is free. They do some comedy talk. They also do a burlesque boxing bit for the finish.

The Chameroys

The act was nine minutes long on the full stage. A lightweight man balances atop a “husky” female understander.

Dixie Chrystie

Dixie Chrystie plays the harp and the violin with various articles taken from her pockets.

The Bimbos

The act was nine minutes long on the full stage. The male member of the team stands in a barrel on top of four wobbling tables that have been stacked on top of one another. He jumps out of the barrel just before it falls to the stage. The woman is the muscular understander.

Lew Brice and Lillian Gonne

The act was eighteen minutes long. This young duo open with a “Dutch” number with some wooden show stepping. Brice then imitates Bert William’s rendition of “Constantly”. Gonne sings, which is followed by an eccentric dance by Brice in Eton clothes. They finish with a duet and sing “Brass Band Ephriam Jones” for an encore. Gonne wears “cute little ‘pantalets'”.

Maude Kramer

The act was ten minutes long. Kramer sings, dances, and plays musical instruments. For one number she wears a tight red sweater and short skirt with her hair done in the style of “Sis Hopkins”. She sings topical songs, dances at the piano, and does a bit with a banjo.

Shenk Brothers

This hand balancing act was seven minutes long on the full stage. The Shenk Brothers are dressed in modern costumes and perform hand balancing tricks. The understander sits at a table and rests his elbow on it. He then holds the top mounter with one hand, rises from the table, and proceeds to walk about the stage.