17 min. Open full stage, hotel bedroom scene, close in one. This act was sent sixth on bill, but was changed to provide for ‘acts’, and to avoid a wait. The act is done by three men who captured their audience from the first. Their comedy, singing and dancing is very well done, and their dancing finish in one gets so much applause that they are compelled to return and do an original rag time baseball game executed in dancing steps.
21 min. in one, doing a little bit of everything. This act was the hit from its opening to its close, and the team had hard work leaving the audience. The act is without plot, and is a conglomeration of singing, talking and dancing. All is well done and meets with instant approval. This team does much of the ‘business’ offered here earlier in the season by Josephine & Cross. It is well dressed through out, and the youthful appearance of the couple does much in placing them in a favorable position with their audience.
Comedy sketch, “The Last Boy.” Full stage, parlor set. Two women and one man. The sketch is very light and along the line of everything else Blondell has done for several seasons. The women in sketch are not good ‘feeders’ for Blondell, who does not put fire in his work he did in past years. The act was only fairly well received.
9 min, full stage, special set of plush curtains and small plush covered stair-way. This act was enthusiastically received from the time the curtain arose. The setting is a dull green and bright red, and with special lighting effects offers a pretty picture. Adonis has a few new turns which he presents in a most artistic manner. The act received more applause than any opened we have had this season.
A good fast juggling act that closed the show fine.
18 Min. Full Stage. The kids are marvels, and they scored a big applause hit.
In the musical farce “A Persian Garden”. 40 Min. Full Stage—own set. To my mind this is by long odds the greatest big acts that I have ever seen in vaudeville. Headed by two great comedy stars and a thoroughly good cast—(10 speaking parts—no chorus) it strikes a comedy pace that keeps the audience in a continuous roar, which is relieved in spots by some beautiful and catchy music. The scene is elaborate and costumes rich. They gave a performance without a hitch and just as smooth as if it had run for an entire season. Here is an act worth making the trip to Baltimore to see.
15 Min. in 1—The best ventriloquist in vaudeville.
24 Min. Full Stage. This farce is very pleasing, making the audience laugh very heartily.
15 Min. in 1—A splendid banjoist that could have a more important spot.
