The act was five minutes long on the full stage.
The troupe is made up of seven men and one woman who do do back somersaults off of a horse-drawn sleigh. The men wear long black beards to make them look like Russians and the setting is supposed to be Russian as well.
The act was twenty-five minutes long.
Felix and Caire, former vaudeville child stars, finally have a new and novel act. Caire refuses to marry Felix because he does not have a “past”. The rest of the act involves Felix “traveling” to England, Paris, Germany, Russia, and back to the United States on a ship. In each country they both appear in native costume and do a song and dance. The last number is a Yankee song on the deck of the ship and the comedic talk revolves around seasickness. The duo finish by walking out through the audience and shaking hands as they go, as if everyone was there to welcome them home from their journey.
This musical skit entitled “Kid Kabaret” was thirty-seven minutes long on the full stage.
A young child gives a supper when his parents are not home. Each member of the cast, as attendees of this supper, do a specialty. They are all songs. During the last song called “Favors”, the cast runs up and down the aisle giving out paper favors.
The act was twelve minutes long.
A woman and three “foreign” men do a roman rings routine. The woman and one of the men are the understanders. They perform on the rings and then the woman balances the three men in a triple formation, which rests on her knees and chest. She also carries them around on her arms.
The act was six minutes long on the full stage.
The men do a routine on the horizontal bars and two teeth-holding balances.
The act was seven minutes long.
Two men do a routine of tumbling, hand-to-hand and head-to-head tricks. One wears a tuxedo and the other wears a cutaway with pearl buttons on the sides of his trousers.
Montamba and Wells do a grotesque comedy acrobatic routine. They closed with a version of the Melrose chair-toppling trick.
Lucy Daly headlined the show and did several songs with six chorus girls. During “Different Phases of Life”, there are living representations of the lyrics onstage (i.e. a miser with his coin). She then does an audience song, which is followed by a Parasol song in which members of the audience are invited to throw balls at the girls behind the parasols. The finale is a lively singing and dancing number, with the chorus girls dressed as “showgirls.”
Francesco Creatore conducts his band which plays the work of famous composers. While they play, illuminated pictures of the composers are shown.
The act was nineteen minutes long.
A classy-looking woman sings several songs. She begins with a “coon” song followed by a recitation, a production number, and some Irish stories.
