The Bad Man

A water tank railroad station in the “wild and woolly” is shown with the cow punchers assembled to give the expected agent a warm reception. The agent turns out to be a woman. All the hands turn their attention from hazing to love making for good comedy purpose. A tenderfoot, as evidenced by Eastern clothes, is the lucky suitor. He bests the “bad man” in a fight, but later both tenderfoot and woman are overcome by the desperado on robbery bent. The tenderfoot is tied to the railroad track, while the woman is bound hand and foot to the table within the telegraph office. She escapes in time to effect her lover’s release and the two embrace as the expresses rushes past.

Crackerjacks

Miss Vedder displayed a gorgeous green gown and put into a lot of vacant dialogue. Her appearance alone justified her presence and she added gratuitously an agreeable manner, graceful stage deportment, and a figure that, set off by tights, roused the boys to spontaneous applause. The frocks of the chorus for the first part are conspicuously chic and well made, but there is not one change, the same dressing being worn throug half a dozen numbers.

In New York Town

Louise Carver had an eccentric part and she makes a first rate eccentric, verging on a female clown, by reason of her great height.