The act was seven minutes long.
Marie Arvelle has an excellent mezzo-soprano voice. She sings three prima donna songs, “all calculated to show her high notes off to advantage.”
The act was ten minutes long.
Two men in evening clothes sing ballads. One is a tenor and the other is a high baritone.
Eva Tanguay sings songs with personal pronouns in them. She sang eight songs.
The Keene Trio sing in harmony.
The act was ten minutes long.
Edith Clifford is a blonde singer with “a pretty dress” from the West. She sings some songs in a “Yiddish” dialect, as well as some in the style of English music.
The act was twenty minutes long.
Roberts is the well-dressed straight to Bernard’s comedic “cabman” character. The act opens on a bare stage, as Roberts argues with the orchestra leader. Bernard then comes through the audience pretending to be an angry cab driver waiting outside the theatre for his fare. The duo then goes into their songs and talk. Bernard’s character is an amalgam of those created by Dave Morton and Al Fields.
The act was twelve minutes long.
Stanley and Bourke perform an act written by Tommy Gray for himself and Bourke. The team sings and “talks” and pretends to be fired by the management.
The act was twenty minutes long.
Lawlor and his two young daughters perform songs are are new to New York vaudeville. The daughters do a lot of costume changes.
The act entitled “A Novelty of Song” was twelve minutes long.
Miss Allen plays the piano and sings. She performs two numbers at the piano and two away from it.
The act was twelve minutes long.
This singing quartet is made up of four Red Sox players: Marty McHale, Tom (Buck) O’Brien, Hugh Bradley, and Bill Lyons.
The men open the act by singing solo and then come together. They finish with some old “rags” and then each dances a Turkey Trot.
They appeared in their baseball uniforms which were dirty from the diamond.