Type: Singing - Dancing

Freeman and Watson

He dresses fairly well above the knees, but two inches of excess trousers ware bunched about his shoe tops. Both boys dance well, and this part of their act was enjoyed. The bootblack was the better of the pair with the clogs.

Lulu Beeson

Miss Beeson makes her appeal directly through dancing. She is a clever wooden shoe dancer, but can hardly uphold a single turn in this department alone.

Elsie Faye and the Pierce Boys

In her first week Elsie Faye, formerly of Lynn and Faye, is singing, dancing and changing costumes, having the aid of two very young boys, the smaller of whom is much the better dancer, although it is the general appearance of the act which wins the approval of the house.

Broadway Gaiety Girls

The lights in this, shading upon yellow, bring the chorus into disrepute through exposing their rouged faces, and throwing into relief all their facial imperfections. “Honey in the Springtime,” sung by Beatrice Haines, although Dan Evans was programmed for it, is a pretty number, with the girls costumed in trousers and shirt waists, a new, odd and pleasing combination. Miss Haines also led a “pajama” dressed selection, in which seem to be missing in the white tights of the Misses Bigger and Raymond at the finale, a sort of Amazon march.

Word and Kingston

The pair open in “one” wearing street attire and later go to the full stage. Except were this arrangement is demanded for stage setting purposes it should be dropped.