The act was seventeen minutes long.
Matthews, who was formerly teamed with Hebert Ashley, now works with Aishayne, a new Hebrew comedian. The pair perform in front of a Chinatown set. For the opening, Matthews plays a “dope” who meets Aishayne (who wears evening clothes) in the street. Matthews proceeds to sing a song about “dreamnight” in Chinatown, followed by a monologue. Aishayne has a few songs which he sings in the comedic style of Willie Howard. For the finish, Matthews reappears in evening clothes and he and Aishayne do a comedic operatic number. They do some rag for the encore.
The act was eighteen minutes long.
Two young men sing and do some comedy on the side. The finale is an impersonation of opera singers.
The act was fourteen minutes long.
This singing trio do parodies near the end of their act. The male comedian dresses as a woman.
The act was twenty minutes long.
Two men sing and do some comedic cross-fire talk. One plays the piano briefly.
The act was fourteen minutes long.
The man plays an eccentric character and the woman is the straight “feeder”. He sings a travesty song alone and they close with a duet.
The act was fifteen minutes long.
Two young men sing and do comedy “talk”.
Irene Franklin was the headliner and sang six songs.
This Rathskeller act was fourteen minutes long.
Three boys open with a song during which one plays the piano and the other two sit on top of it. One of the boys does a piano solo, then a bass solo. They then perform a “cissy” number followed by two other songs.
