Miss Boley is making up her face either too rapidly or with poor judgement, and in the “village cut ups” too much liberty is taken in the dance steps, considering the under dressing.
Another scene out of the ordinary is the dressmaking establishment where from behind hanging dresses the girls give a “headless” dance in the air, only the feet being visible beneath the skirts.
Jennie Praeger’s dance eccentric filled in a gap for costume change neatly.
pretty dressing and dancing of an unusually high order
Opening in fron of a drop representing the exterior of a railway station, with a clock in the tower fixed at “nine forty-five,” the girls dressed as Pullman porters, in blackface, are seated in a semicricle, apparently waiting for a dealyed train.
There is one change only from the porter uniform to the watermelon suits, for which green stockings are worn throughout by the girls to finally match the underdressing of the last costume.
Scenic side rising above the young women. Scenes in “Toyland” or “Way Down Yonder in the Cornfield.” Puzzling dress arangment is worn in the opening scene taken from “White Cat.” Dressed as “dude” toys from with massive heads, the head gear falls apart revealing a combination suit. Rain storm attachment with real water. The third scene is “Iceland.” The leader of the girls, Neva Aymar looks pretty in her changes. Red stockings are worn throughout.
A “fairy symphonette” led by Dorothy Jardon with eight more young women. There are three scenes. The scenes are set in Mexico, Japan and “Daisy-land” which is a field of daisies bordering water with woods in the background. The lights heighten the effects. Little dancing is done.
Joined by her “four auto girls”. All can dance. Miss Montrose works harder than any of them and it is because of her the act does so well. In the final number they wear cowboy outfits.