Hazel Haslem and Co.

Husband and wife. Wifey is a business woman and maintains her right to retain her maiden name (for business purposes) after married. At the opening hubby is trying to convince her of the error, but she refuses to open her eyes. The phone rings and a buyer from out of town is announced and hubby is advised he had better take a walk until the business talk is over. The buyer comes in and instantly seizes the girl and kisses her, tells her he is crazy about her and proposes to her. To convince her he is, he again embraces her despite her protestations and at this moment hubby returns. Big dramatic scene and wife is ordered from the room until the gentlemen settle the affair as it should be. The moment they are alone the audience is let in on the secret the men have framed the incident as an object lesson to the wife. She returns and the deception is continued until finally the would-be husband leaves and hubby and wifey are alone and the argument regarding the names starts anew. But the phone rings and instead of Miss, the wife answers it as Mrs. Fine for small time.

McGeevy and Doyle

The man and woman team offer some juggling, and wire work alongside the comedy routine.

Kane and Farber

Neat appearing boy and girl with some bright talk, two good numbers out of the three offered and a lively dancing finish.

Wiley and Smith

In full stage four dances are offered. The first a sort of combination one-step-fox trot, which is ordinary. A Tommy Atkins number reminds one of the number in “Nobody Home,” and a kid number next is the best thing in the act. The closing number, in jockey costume, is decidedly slow and should he placed earlier in the act with the “kid” dance serving as the closer.