The Beatrice Morell Sextet

The Beatrice Morrell Sextet of female singers, with an artistic blue color scheme of costuming and setting and white wings, is a clean vocal offering, but altogether too concerty for general vaudeville assimilation. Four singers, a ‘cellist and a harpist. While some work the others move about “artistically.” draping themselves about the piano, adjust the flower vases and finish with arms about each other for a popular medley. Those are the kind of acts that argue—and truthfully—that they sing well, dress neatly and otherwise disport themselves. But it isn’t a vaudeville act in the strict sense of the word.

Eschelle Roberts

An Interesting act was contributed by a young man billed as “Eschelle Robert, the clever songstress.” It is Bobby Eschelle, and, as he makes no pretense to female impersonation, the billing was probably an error. He has a pleasing tenor voice and is backed up by a ponderous wood set placed in “two.” Eschelle is attired in riding breeches with a cowboy thong about his wrist and most of his vocalizing is in recitative form. Whenever he wishes to emphasize a point he “strangles” the thong and strains his “pipes.” Bobby sort of- fancies himself.

Milt Wood

He spent so much time in England the past half dozen years or so that he Isn’t en rapport with our modern vaudeville, and hence his talk will some quickening.

Torres and Verdi

Two Italians (men), who look as if they had originally come from one of the numerous Italian quartets and had learned some English.