Bennett and Lee
Le Roy Lytton and Co.
Lillian and Equilla Brothers
Emily Earl
The Beatrice Morell Sextet
The Beatrice Morrell
Sextet of female singers, with an artistic
blue color scheme of costuming and setting
and white wings, is a clean vocal offering, but
altogether too concerty for general vaudeville
assimilation. Four singers, a ‘cellist and
a harpist. While some work the others
move about “artistically.” draping themselves
about the piano, adjust the flower vases and
finish with arms about each other for a popular
medley. Those are the kind of acts that
argue—and truthfully—that they sing well,
dress neatly and otherwise disport themselves.
But it isn’t a vaudeville act in the strict
sense of the word.
Eschelle Roberts
An Interesting act was contributed by a
young man billed as “Eschelle Robert, the
clever songstress.” It is Bobby Eschelle, and,
as he makes no pretense to female impersonation,
the billing was probably an error. He
has a pleasing tenor voice and is backed up
by a ponderous wood set placed in “two.”
Eschelle is attired in riding breeches with a
cowboy thong about his wrist and most of his
vocalizing is in recitative form. Whenever
he wishes to emphasize a point he “strangles”
the thong and strains his “pipes.” Bobby sort
of- fancies himself.
Sam Liebert and Co.
Milt Wood
He spent so much time in England
the past half dozen years or so that he Isn’t
en rapport with our modern vaudeville, and
hence his talk will some quickening.
Torres and Verdi
Two Italians (men), who look as if
they had originally come from one of
the numerous Italian quartets and had
learned some English.