Amelia Bingham
Eddie Girard and Jessie Gardner
William Courtleigh and Co.
Emma Carus
Amelia Summerville
James Keane and Co.
This sketch entitled “The Prodigal Son” was seventeen minutes long on the full stage.
A young man cavorts with women of ill repute and gambles away his money offstage, which causes his fiance to drop him. He returns home to his mother who he treats badly. As he goes to bed, the curtains are lowered. When they are raised, he is in the costume of a convict and he screams for another chance. When the curtain lowers and raises again, it is reveal that the previous scene was a dream. His mother runs in to comfort him and he assures her he will change his ways.
Severin
Probably
the finest example of pantomimic art
since Pilar Morin. Grim as is the tale
and sometimes even gruesome, it has the
most extraordinary power to grip and
hold attention. The story is unusually
complex for pantomimic interpretation,
but the facile art of the star makes its
every point startingly clear.
Juliet?
Pankleb Duo
The act was sixteen minutes long on the main stage.
The man wears a false “Vandyke” beard and opens the act with some comedic talk. He talks as he works with the clay while the woman models one piece and prepares the clay for the man throughout the rest of the act.