Homes and Holliston
The act was eighteen minutes long. A man impersonates a country yokel during his first visit to the city.
Williams and Rankin
The act was ten minutes long. A man and woman play brass instruments in evening gowns. They perform both solos and duets.
Jerome and Lewis
The act was thirteen minutes long.
Jerome and Lewis sing and one does a female impersonation.
Dunbar and La Vere
The act was fifteen minutes long.
The man plays a “Dutchman” comedian and the girl is the straight. The comedian opens with a song in a pleasing voice.
Fox and De May
The act was twelve minutes long.
The man dances in eccentric costume and does a parody. The woman asks “straight” questions in a “voice that could be heard a block away.”
Harrison Stewart and Dixie Picks
The act was twenty-two minutes long on the full stage.
“Harrison Stewart, colored, late of Stewart and Marshall, heads this new act. It is a simple schoolroom arrangement, with three small colored girls and five boys.” The “picks” dance and sing in ensemble.
Nonette
Nonette is a singing violinist.
Chretienne and Louisette
This novelty impersonation act entitled “From Peasant to Artist” is twenty-eight minutes long on the full stage.
Chretienne and Louisette are a Dutch male and female team from Amsterdam. The act begins with a six minute film which depicts the couple performing on the streets of Amsterdam. A manager then offers them a shot at American vaudeville and the rest of the film is their journey across the Atlantic. The two then run down the aisle (in person) and proceed to sing and dance. They begin in authentic Dutch costumes. The man impersonates several foreign conductors while the woman does Spanish, French, and Italian soubret in costume. They then do a wooden shoe dance.
White Brothers and Sister
The act was eleven minutes long.
These siblings sing and dance. They do one dance in eccentric makeup. One of the brothers then dances on an iron mat and claims to be the only one in the world who does it.
Harrison Armstrong Players
This sketch entitled “Hushed Up” was twenty-two minutes long.
This melodramatic sketch is similar to “many of the protean criminology sketches that were so prevalent around some time ago.”