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Stevens and Lovejoy, in a dancing conceit, got over nicely. Both are good steppers and have quite some production, with two special drops and a pretty gold-and-blue cyclorama. The act contains an idea that requires all the scenery to unravel and winds up in a fast dancing double in the full stage set. The dialog is mostly in rhyme and tends to slow up the action considerably between dances. In an effort toward novelty speed has been sacrificed most of the 15 minutes running time being occupied with the rhymed unfolding of the story.
Source:
Variety Magazine, LVIII: 3 December 1920