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Comic dialogue and jokes.
In "No. 4" came the Stan-Stanley Trio with a new "straight" who holds in his voice though this counts but little. Stanley is the act. His work from the audience is provocative of laughter in strong doses two or three times, but he is overdoing that section, as always, also the portion in "one," and now, for the sake of a laugh, he walks down the aisle as the preceding turn finishes, throwing a bunch of roses on the stage. Just why an usher could not do this is Stanley's secret, but it certainly takes the edge off his opening in an orchestra seat.
Source:
Variety, 40:1 (09/03/1915)