Saharet

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"Saharet has lost none of her charm, nor indeed her stage looks. From the front she is apparently as young as ever and certainly as pleasant to gaze upon. Her dancing partner, Senor J. Florido, is a lithe, slender, virile Spanish youth. " Saharet's first number is "a trifle disappointing and gives one the impression of a passe terpsichorean offering." "Nothing sensational until the fourth and final number, 'Tango Argentine,'" which is "the genuine South American, sensuous thing, not the sort offered by our modern 'ballroom' steppers. It is a violent, living, palpitant affair that earns for them the applause it richly deserves."
Source:
Variety (33:10), February 1914