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The show throughout was well balanced. Raymond Wylie and Co. inn [sic] “The Futuristic Jailbird” offered an original novelty combining talk and songs. The talk, while familiar, managed to score. An excellent blackface comedian is the “and company.” Wylie’s excellent falsetto in double-voice singing scored the biggest of the act.
Source:
Variety Magazine, LVIII: 20 August 1920