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One does imitations of a polite male baritone singer and a soprano. The baritone number was worth while as a straight song and in the other the singer reaches high notes in extreme falsetto that for tone and quality surpass those of any female impersonator that comes to mind.
Otto Broters extend their twisted talk at the opening too much. There is nothing particularly novel in the idea and a little of it goes a long way.
Source:
Variety 4:3 (04/20/1907)