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Ona Munson staggered the house with her beauty then topped it by showing that an angel can dance. She has a face and figure that would cause a Central American revolution or break a bank. She followed a host of seemly girls, but she made the women in the seats gasp and the men sit up. Katie Pullman, a pretty big child to do bare knees and thighs, scored with a tumble-about dance. Emmie Nicias was over the top in a Frenchy number and its talk. May Gerald and Maude Potter fared mildly. The turn drew its finale hands largely on the cumulative effects of a varied and bright production and on the cumulative effects of a varied and bright production and on Miss Munson’s uncanny beauty. The letters as shown on the screen between songs got solid laughs.
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Variety Magazine, LVIII: 17 September 1920