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Julius Tannen is using an entirely new line of talk, filling out with his series of capital impersonations.
Of the impersonations that of David Garfield was best liked.
The new talk encroaches upon nothing that has been heard before and is usually neatly constructed and pointed.
In his George M. Cohan song that carriage is excellent, as the vocal inflection and the Cohan mannerisms of speech, but the big volume of Tannen's voice injures the illusion somewhat.
Source:
Variety 5 :2 ( December 22, 1906)