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Singing and dancing.
George White, with bis quartet of girl steppers, has the cleverest act of the series he has been presenting the past few years. The lyrics are brilliant, and the idea of adapting syncopated grand opera melodies to his dancing is excellent. But his biggest hit was scored by his imitation of other well-known steppers, which once more emphasizes the oft-repeated assertion that the imitation bunk never falls.
Source:
Variety, 54:8 (04/18/1919)