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The piano accompanist is a slender, charmless chap who is a splendid contrast to the principal. MacFarlane's personality is second only to his voice. It does not appear that he has altered the routine to any significant degree since it was last reviewed. The Irish numbers predominate with the usual and expected results. The explained interruption during the repertoire to allow the pianist a solo should be dropped. "It caused some feminine chatter throughout the auditorium which detracted from MacFarlane's succeeding numbers to some extent."
Source:
Variety 36:2 (09/11/1914)