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Florence Walton stood in the electric outside, dividing with Miss Gunning. Her two fur wraps, one of real chinchilla and one of ermine fairly screamed of staggering overhead and her diamonds echoed the same thing, the cyclorama drop that furnished the background murmured modest thrift to the extreme of shabbiness. The fact that the offering so emphasized class made this unsightly detail distressingly insistent. Young Allan Faran is a refreshingly manly dancing partner, a relief from the anemic youth of that profession, and the violinist who covers two intervals for Miss Walton’s changes is an artist. However, Miss Walton’s assistants merely furnish a framework for her sartorial orgy Miss Walton herself is put in the shade by her possessions of clothes and baubles. Although she is the same slim, graceful dancer as before.
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Variety Magazine, LVIII: 22 October 1920