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The duo starts a little different than most others. The comedian does a Hebrew boy, which he gets away with nicely. There is a prop subway entrance, about waist high, which the boys do the old walking up and down thing. It is good for a quick laugh.
The comedian plays the Hebrew well, but perhaps a bit too quietly at times. A rougher style would bring him much more. The talk between them is fair and well handled. Parodies seem to be a natural finish for them and they would do well to get to them for the straight song is not enough to finish with. They compare favorably with other acts of their kind.
Source:
Variety 22:8 (04/29/1911)