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This [applause] seemed to be further borne out with the arrival of Edith Cafford, with her singing single with piano player assistant. She, however, cleaned up a legitimate hit and practically stopped the show again, being forced to make a speech. Her “Simple Mary Ann” and “Weaker Sex” numbers went over in great shape, and “waitin’ for nothin” served its purpose as an encore offering.
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Variety Magazine, LVIII: 10 September 1920