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Ida Adams has a good voice.
Girl from Paris.
Its talk is loose and hard to follow, even though three-quarters of an hour is allowed for its development.
The best of the whole proceedings was the work of Joe Kane as Hans in the last scene where he has a quantity of first-rate comedy.
As it stands, "The FGirl from Paris" is much too long and slow in movement to make a successful offering and it is not easy to see where further condensation will improve it.
Source:
Variety 4: 12(December 1, 1906)