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As a singer of coon songs she is a real delight. And so she builds a monstrous bushel of a sketch under which she successfully hides the light of her genuine ability. The coon songs occupy perhaps four minutes of her twenty-minute sketch. The rest is the Hull gets the spirit of negro melody into her voice as few singers of ragtime melodies do, and her dialect is wonderfully faithful.
The ridiculous sketch gives her opportunity to black up and under the cork she is fairly entertaining. In her proper complexion she is impossible.
Source:
Variety 10:4 (10/26/1907)