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Duncan and Lynn (New Acts) fourth, and Carlos Circus the third of the trio of silent turns of the first half, closed that section pleasing with a routine of tricks of four ponies, a stunt or two on the revolving table by a billy goat, and the usual rough stuff by an unrideable mule. The mule is a particularly vicious brute, nearly sending one of the plants in the orchestra Tuesday night. A buck dance on a slab by one of the ponies is a corking feature trick, the cute little animal hoofing it to perfection and keeping time in a manner to make “Hello” George Scott sat up and take notice. Good animal act, this, but like several other turns on the first half bill, suffering from position.
Source:
Variety Magazine, LVIII: 13 August 1920