Virginia Lea Corbin headlines with a neat arrangement for a vaudeville appearance. The classy child displays some singing and dancing ability, but scores with fine pantomime in the skit and wears keen gowns.
Troutner and Heffner, two men in blackface, one a comedian and the other straight, received a fair return for their comedy talk. “Oh, Look,” the King offering, was replete with laughs, making a good impression as the closing number. A feature that brought much favorable comment was the scenery in the background.
“Spivin’s Corner,” a well balanced rural act in “three” consisting of three men in rube character, one straight and a pretty girl, is the hit of vaudeville. Hoke comedy by the rubes beings laughs in the early part. The dancing of the girl and the offerings of the rural trio which put over several good number were well received. Especially good is laughing.
Bob Murphy and Elmore White stopped the show with new and original comedy. Murphy’s immaculate attire and clever delivery proves that has graduated from the role of a saloon entertainer. White’s singing and piano playing combines to make an ideal pair of the two.
William Gaxton and Co. appeared in an excellent comedy vehicle and Gaxton’s clever snappy style in the leading role scored a laughing success that justified a speech.
The Cameron Sisters closed with their graceful and exceptionally fine team work in a neat dance routine and pretty costume changes with Edwin Weber at the piano. By injecting a comedy humber they held everybody easily.
Charles Morati and Grace Harris waste their efforts trying for laughs on old gags. She makes a stunning appearance and he is a good tenor. Their singing carries them over.
A school act having seven people billed as “The District School,” depending on hoke for their big laughs, but otherwise containing good entertainment, went over exceptionally big. They conclude with jazz orchestra playing following some good singing and dancing specialties.
The vaudeville is opened by Sinclair and Gray, a couple of attractive girls on bicycles in full stage, who precede their bicycle stunts with a sing in “one.” Though possessing pleasing voices, it is the work on the bicycles that counts for a nice hand.
The Three Weber Girls are attractive and received a nice hand for acrobatics neatly offered in opening position following a rather indifferent impression made with a song beginning. Here their gowns were below the class of the act. “Mardi Gras,” last week’s headliner held over, was only moderately received.